Terrell Owens rides to Colin Kaepernick’s rescue on ‘First Take’

first_imgBy the time Colin Kaepernick came to the 49ers, Terrell Owens had been gone for eight years. So they were never teammates indeed. But it appears that T.O. senses a kindred spirit in Kaepernick.They are joined by their 49ers heritage and their Bay Area experience, their race, their inclination to trust their judgment above others, their disinclination to engage in small talk. Both could rightly claim to have been misunderstood.Against that backdrop, it is no big surprise that T.O. rode to …last_img read more

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Industry Insights: The Ins and Outs of Working as a Script Supervisor

first_img“Script supervisor,” “continuity coordinator,” or most commonly just “scripty” — this job is one of the most important on any set.Script supervisors do more than simply manage the script. A good scripty makes the transitions from pre-production to production to post-productoin simple and painless — while ensuring the quality and continuity of the project’s narrative.So we’re taking a look into the world of a script supervisor. We’ll explore what they do during the various stages of a production; we’ll cover the scripty’s responsibilities; and then we’ll look at some essential skills, tools, and resources to start planning your career as a script supervisor.Image via Mark Poprocki.What Does a Script Supervisor Do?Essentially, the scripty’s key job is maintaining the vision laid out in the script and seeing that vision through to the final cut.They must be able to see potential continuity problems (or other challenges) with the script and shooting plan before anyone else on set and then communicate with the appropriate members of the crew to avoid wasting time and money on re-shoots and fixes. Script supervisors do this by acting as a kind of editor while planning the production and while on set. They must be able to visualize how the script will unfold on the screen, how each shot will work with the next to compose a scene, and how those scenes will work together to form the acts of the final film.They primarily carry out their responsibilities during pre-production and production, but the assets the script supervisor develops are the backbone for the editorial process during post.The Scripty’s ResponsibilitiesImage via gnepphoto.Pre-ProductionIdeally, the script supervisor should join a project as soon as a script is ready for pre-production. Involving the scripty in the earliest meetings not only gives them more time to familiarize themselves with the script, but it also gives them the chance to work with the director and other key department heads responsible for the look, feel, and narrative of the film. This gives a savvy scripty a chance to foresee potential problems with the writing or adaptation of the script early enough to prevent costly errors later on.This is where the “Editor’s mind” of the good script supervisor comes into play. From even the earliest readings of the script, they must be able to mentally piece the film together and consult the crew about any potential problems they foresee.We could think of them as Script Scouts, if you will. No? Production Prophets? Oscar Oracles?I’ll stop now . . .During pre-production, the script supervisor will break down the script by location, time of day, interior vs. exterior, and so on, while also noting any other concerns — like the continuity of a character aging during the course of the film.A very valuable skill experienced scripties bring to productions is estimating run times for scenes, pages, and the overall film. While the one-page-per-minute rule is well known, there are many factors that you can’t account for quite so simply. Script supervisors will time the script in multiple passes and then average the times for each scene. The best scripties know how to account for factors beyond the page, such as the director’s style (will this pace be more Terrence Malick or Edgar Wright?).The more accurate these predictions, the better. Along with all their other breakdowns and notes, the script supervisor uses their timing predictions when working with the assistant directors to create schedules, shot lists, and other essential materials for the shoot.As the production approaches, there won’t be anyone on the crew with a better grasp of the script and the challenges it carries. Armed with notes, timings, breakdowns, and a working mental vision of the film, the script supervisor becomes one of the most valuable assets to the production.On SetImage via zhgee.During production, the script supervisor typically works alone, unattached to any department. Instead, they serve as a resource for every department for issues relating to continuity, the axis of the camera, and the blocking and eye lines of the actors. They also field any script-related questions or concerns.In addition to consulting the crew, the script supervisor takes copious notes and records of every detail in every shot — they are ultimately responsible for the film’s continuity.Over the course of a production, there will be times when the director or actors will deviate from the script. It is the scripty’s job to document these alterations and get the information to the appropriate members of the production team. When re-writes or changes come over from the production team, the scripty — again — documents and distributes those changes to the crew.While shooting, the script supervisor will mark lines over the script indicating coverage, angle, clip/reel number, whether key action or dialogue is on- or off-camera, print takes, and so on. This process is referred to as “lining” a script, and it is one of the most important functions of the script supervisor.While lined scripts might look like they’re just covered with doodles, there is actually a simple code at work — straight lines mean that the action or dialogue was captured on camera, and wiggly ones mean the action or dialogue occurred off-camera. The scripty will also note reel numbers and any basic information about the take.The script supervisor will take longer-form notes to supplement the lined script. These notes and the lined script go to the editorial team, who can immediately begin to assemble rough cuts of the film based on these materials.Once a production has wrapped, the script supervisor assembles all notes, reports, lined script pages, and any other non-media assets for transfer to the post-production team. The scripty’s notes help the post team navigate the raw footage from the shoots.From script to final cut, the script supervisor makes an immense impact on the final product.How to Get StartedImage via bepsy.Who wouldn’t want to be one of these awesome heroes on set, right? Well, the job is not for everyone. If you’re going give it a go, you’re going to need a killer grasp on some fundamentals.Essential skillsAttentive Multi-Tasking —The devil is definitely in the details. You have to keep one eye on the script and one eye on the monitor with laser focus — while maintaining continuity throughout the entire picture. When “cut” gets called, you’ve got to be be ready to consult on any script detail with any department on set.Clear and Effective Communication — Communication is essential for all crew members, but the script supervisor has to be one of the best communicators on set. You’ll have to rapidly switch between requests across departments, concisely and clearly provide information, speak up when you detect any hint of continuity error, and more.Meticulous Note-Taking — Your notes can make or break the post-production pipeline. They are the roadmap to a quick first cut of the film, and they get used as reference when selecting alternate takes. If you didn’t log the continuity error in take two, and nobody catches it, it’s your problem.Patience — Most importantly, be patient and understanding. When they’re under a lot of stress, people sometimes won’t like hearing that they have to redo their work because of a continuity error. Don’t ever let it get to you, and work to find the best ways of communicating with each crew member you interact with. Tools and ResourcesWant to learn more about becoming a scripty? Here are some fantastic resources and tools to get you started:The daily life of a scriptyScriptE script lining software for tabletsInterviews with professional scriptys“How to Break Down a Script”“How to Become a Script Supervisor”More on the ins and outs of script supervision Looking for more filmmaking tips and tricks? Check out these articles.Giving Productive Feedback to Editors — What Not to SayVideo Essay: The Significance of the Shot-React-Shot SequenceIndustry Spotlight: Working as a Production Assistant on Set11 YouTube Channels Every Filmmaker Should Follow in 2019Increase Your Production Values with Simple Costume Designlast_img read more

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Sunny, Karisma discharged in chain pulling case

first_imgA sessions court here on Friday discharged Gurdaspur MP Sunny Deol and film actor Karisma Kapoor in a 22-year-old case of alleged chain pulling in a train at the Naraina railway station in Rajasthan during the shooting of a film. The two actors had challenged the framing of charges against them by a railway court through a revision petition.Mr. Deol and Ms. Kapoor, along with stuntman Tinu Verma and actor Satish Shah, were accused of entering the Naraina railway station, near Phulera Junction, in 1997 and stopping the 2413-A Uplink Express by pulling its chain, which delayed the train by 25 minutes. The Assistant Station Master said in his complaint that a few persons from Mumbai shooting for a movie in a nearby village had illegally stopped the train.Allowing the revision petition, Additional District & Sessions Judge Pawan Kumar held that there was “no prosecutable evidence” against the two actors. Same charges The court said the Railway Magistrate was wrong in framing the same charges last month, which were earlier set aside by a sessions court in 2010.The actors’ counsel, A.K. Jain, had contended that the Railway Magistrate’s order for framing of charges was against the law. The film unit was shooting for the movie “Bajrang”.last_img read more

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Ask Viv Richards your question

first_imgLegendary former West Indian cricket captain Sir Vivian Richards is in India accompanying the Antigua and Barbuda national team — participating in the ongoing 19th Commonwealth Games — as its ambassador. Richards will give an interview to Headlines Today at 9 pm on Thursday. As the veteran cricketer discusses a host of issues, including the major controversies surrounding the game and some of the best ever international performances on the 22-yard pitch, Headlines Today invites its viewers to put their questions to the former West Indian skipper. [Watch the interview on Headlines Today at 9 pm today.] This is not the first time that Richards is accompanying the national contingent at the Commonwealth Games. He was present during the Melbourne Games in 2006. In fact, Richards has been insisting that cricket — in its shortest version, Twenty-20 — should be included in major multi-sports events such as CWG and Olympics to help the game grow around the world. Want to ask Viv Richards anything about cricket? Send your questions now.last_img read more

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